IATSE Script Supervisors & Production Coordinators Local 161 Fighting For “Pay Equity”
The Catalyst Community
News & Updates from across our global creative community
- May 14, 2022
How the Emmys Dumped ‘Primetime’ to Focus on Genre, As We Move Closer to a Post-Linear Era
- May 11, 2022
Spotlight on Rob Alicea
- May 6, 2022
Directors Guild TV study shows diversity gains during pandemic, but not for Latino, Asian filmmakers
- May 5, 2022
Daytime Emmy Nominations: ‘Beyond Salem’ Scores First Nom For Drama Series – Full List
- May 5, 2022
Pilot Season 2022: Presentations/Writers Rooms Gain Ground, Comedy Retreats, Stretches Past Upfronts
- May 5, 2022
Television Is in a Showrunning Crisis
- May 4, 2022
Spotlight on Taylor Coriell
- Apr 22, 2022
Explaining Hollywood: How to get a job as a music supervisor
- Apr 22, 2022
Gen Z spends half its waking hours on screen time. Here’s the good and bad news for Hollywood
- Apr 22, 2022
How Pamela Adlon mined her own ‘invisibility’ to create one of TV’s best comedies
- Apr 22, 2022
F.A.M. Creator/Actor Anthony E. Williams signs with Kat Hargrave of DGRW after 2021 Festival